The Dead by James Joyce

For the majority of the twentieth century, women were viewed as subordinates to men. In pack Joyces short trading floor, The Dead, the author in effect uses the character of Gabriels internal battles and his altercations with effeminate characters to represent the clashing ideas of femininity and masculinity. Throughout the unused, his interactions with fe priapic characters stage the toll that his ego undergoes. These recognise interactions eventually lead to his breaking point which can be seen as the climax of the story; his epiphany. There be threesome main adventures that are deterrent example of this idea; his suffer with Lily at the very commence of the overbold, his encounter with Miss Ivors on the trip the light fantastic toe floor, and what eventually took him over the edge--his encounter at the end of the novel with his own wife Gretta. From a feminist perspective, there are definitely elements in this novel that realize the oppression of women. As Margot Norris wrote, the schoolbook should be evidence with two voices in heading; Gabriels loud male biography and the silent  female countertext that does non succeed in fashioning itself heard. However, what is non recognized is that magic spell the female text is not emphasized, the actions and dialogue of female characters are the driving force tramp the dominant male narration. This raises a conflict between the characters in the novel and the themes of masculinity, feminism, and dominance. While the male voice is certainly the closely prominent, the female voice brings Gabriels insecurities to light, and causes him to mind his identity.\nThe first example of this is Gabriels interaction with Lily, the caretakers daughter, at the very beginning of the novel. Before he shows up to his aunts dinner party, Gabriel is depicted as a man of splendor because of the anticipation and eagerness touch on about his arrival. The fact that the text focuses on him even forward hi s arrival sets the stage for introducing him as a domina...