Coco Chanel Essay -- Fashion Designers Essays

Coco ChanelIn his 1993 book, Creating Minds, Howard Gardner act to distinguish characteristics that were common to original people. In doing so, he concluded that some factors were involved in the organic evolution of a creator. For instance, the relationship between the Individual, the Work, and other(a) People (i.e. family and colleagues) (Gardner 9) was elemental in predicting future masteryes. Likewise, part of his hypothesis rivet around the fact that creators typically make their mark in unmatchable single genre. He divided the types of work that could be created into seven contrasting areas interpersonal, intrapersonal, visual/spatial, logical/mathematical, musical, verbal/linguistic, body kinesthetic (Gardner vii). Gardners rubric for finding commonalties amongst creators, or those people who produce innovative, influential works in their extra domain, has become a highly regarded and widely used tool for identifying creative genius. Likewise, one key factors promo ting creativity was the marginal status of the creator. Gardner briefly mentions the immenseness of the relationship between the creator and their society (Gardner 42). In my opinion, Gardner gives too trivial attention to the importance of ones marginal status. I intend to show, through the cause of Coco Chanel, that marginality can have an imperative impact on the development of ones creativity. Therefore, I will fit Chanel into the prescribed rubric that Gardner outlined in his book, and show how her marginal status defined her as well as her work.Part OneThe Personal History of Chanel Chanel was born in 1883, out of wedlock (Charles-Roux 9/3) to a father that would soon desert her, and a set out who would die by the time she reached the age ... ... different perspective on things. Perhaps she was creative because she did not know how to be traditional. Maybe what seemed formula to Chanel, what felt natural for her, was simply different from what was normal for others.In s ome(prenominal) case, I feel that Chanels marginal status was the main catalyst for her success as a fashion designer. Gardner overlooked the degree of importance that should be attributed to a creators marginality. For in the end, to create is to do something original, what has never been done before. And to do something unique should mean to be unique. And to be unique and creative heart to be marginal.BibliographyCharles-Roux, Edmonde. Chanel and Her World. The Vendome Press London. 1979.Gardner, Howard. Creating Minds. Basic Books New York.1993. Madsen, Axel. Chanel A Woman of Her Own. total heat Holt and Co. New York. 1990.